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Monday, August 16, 2021

SELF-IMPROVEMENT : HOW TO LIVE JOYFULLY

HOW TO LIVE JOYFULLY

NO MATTER WHAT

SADHGURU

1,443,379 views

May 14, 2018

Sadhguru

8.07M subscribers

How to handle the large issues of life? Sadhguru answers, there are no large issues - for every experience of life, you can choose to make it enriching or turn it into a curse. Before you can live joyfully, he says, you must learn to stop making a misery out of everything.

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Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times.

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Sadhguru

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Also Pranams to Sadhguru.

Q&A : WHY DOESN'T THE MOON FALL TO EARTH?

WHY DOESN'T THE MOON FALL TO

EARTH?

EXPLORING ORBITS AND GRAVITY

1,744,432 views

Jun 6, 2015

NASA Night Sky Network

Using a bucket with stretchy fabric stretched over it, allow visitors to experiment with marbles and weights to discover some basics about gravity and orbits. View more details about this activity here: https://nightsky.jpl.nasa.gov/downloa...

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NASA Night Sky Network

and YouTube and all the others who made this video possible

FASCINATING VIDEOS : FIERY LOOPING RAIN ON THE SUN - NASA Goddard

NASA

FIERY LOOPING RAIN ON THE SUN

8,397,956 views

Feb 20, 2013

NASA Goddard

838K subscribers

Eruptive events on the sun can be wildly different. Some come just with a solar flare, some with an additional ejection of solar material called a coronal mass ejection (CME), and some with complex moving structures in association with changes in magnetic field lines that loop up into the sun's atmosphere, the corona.

On July 19, 2012, an eruption occurred on the sun that produced all three. A moderately powerful solar flare exploded on the sun's lower right hand limb, sending out light and radiation. Next came a CME, which shot off to the right out into space. And then, the sun treated viewers to one of its dazzling magnetic displays -- a phenomenon known as coronal rain.

Over the course of the next day, hot plasma in the corona cooled and condensed along strong magnetic fields in the region. Magnetic fields, themselves, are invisible, but the charged plasma is forced to move along the lines, showing up brightly in the extreme ultraviolet wavelength of 304 Angstroms, which highlights material at a temperature of about 50,000 Kelvin. This plasma acts as a tracer, helping scientists watch the dance of magnetic fields on the sun, outlining the fields as it slowly falls back to the solar surface.

The footage in this video was collected by the Solar Dynamics Observatory's AIA instrument. SDO collected one frame every 12 seconds, and the movie plays at 30 frames per second, so each second in this video corresponds to 6 minutes of real time. The video covers 12:30 a.m. EDT to 10:00 p.m. EDT on July 19, 2012.

Music: "Thunderbolt" by Lars Leonhard, courtesy of artist. http://www.lars-leonhard.de/

This video is public domain and can be downloaded at: http://svs.gsfc.nasa.gov/goto?11168

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VIRTUAL SUMMIT ON CLUMATE CHANGE

Join INTERNATIONAL CLIMATE SUMMIT 2021: Powering India's Hydrogen Ecosystem. Let's take a progressive step towards a cleaner, greener, and sustainable future.

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SCULPTURE OF THE DAY

6th century Vishnu avatar Narasimha in Cave 3, Badami Hindu cave temple Karnataka .

Cave 3 in Badami, Karnataka is the oldest known Hindu temple in the Deccan region of the Indian subcontinent. It was inaugurated on November 1, 578 CE, full moon day during the reign of Kirtivarma I of Chalukya dynasty. It is a Vaishnavism temple, yet reverentially displays legends and ideas of Shaivism and Shaktism. It also displays a major statue of Harihara, a Shiva-Vishnu composite deity based on the ancient Hindu theology that they are equivalent and different ways of conceptualizing the same theology. The Cave 3 is the largest cave temple in Badami-Pattadkal region with elaborate artwork, all carved out of a single monolithic rock. Some of the statues and reliefs are larger than life size, yet proportional.

The Cave 3 art shows narrative frieze panels from Mahabharata, Ramayana, Purana and Hindu fables text Panchatantra. The ceilings show Vedic deities such as Agni and Indra, along with Brahma, Vishnu and Shiva. Other deities displayed include love god and goddess Kama and Rati respectively, as well as Nayikas with various emotional expressions. The carvings show the same vahana for the various gods and goddesses that are found in contemporary Hinduism. Evidence of pigment remains have survived and are visible in the ceiling. It is likely that the ceiling was elaborately painted like those in Ajanta Caves of Maharashtra.

The artwork and image of Vishnu from sacrum sanctum is missing. Elsewhere, artists have signed their names below their artwork. A major inscription commemorates the temple.

Badami, also mentioned as Vatapi, Vatapipura and Vatapinagari in historical texts, was an important ancient and early medieval era capital. It is the site of the earliest Hindu cave temples in South India whose date can be established with certainty.

The earliest cave temple (Cave 3, Vaishnavism) is from the 6th century, with Cave 1 (Shaivism) built shortly thereafter. Cave 2 (Vaishnavism) is dated to the 7th century. Cave 4 features theology and ideas of Jainism, built after the first three.

The Badami region is home to numerous medieval era Hindu and Jain temples and monuments. It also has artwork that seem like Buddhist monuments but the syncretic nature of the artwork make them difficult to categorize as belonging to Buddhism or Hinduism.

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